Bob Marley's universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. MARLEY is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best. A film by Kevin MacDonald. Click here for more MARLEY: THE MOVIE info, play dates and cities.
The soundtrack to M A R L E Y has been released on Island Records as a 2 CD set and a 3 LP set. It includes, for the first time on record, the 1978 One Love Peace concert performance of 'Jammin' during which Marley joined the hands of bitter political rivals Michael Manley and Edward Seaga, a gesture which went some way towards restoring peace to a strife-torn Jamaica. The tracklisting of the soundtrack, follows the chronology of the film.
Wheedle’s Groove is a feature documentary by director/producer Jennifer Maas, released on Light In The Attic Records, about Seattle’s long-lost soul and funk music scene of the 1960s and 70s. During the late ‘60s and early ‘70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle’s African American neighborhood known as the Central District was buzzing. The soul sounds of groups like Black On White Affair, Cookin’ Bag, and Cold Bold & Together filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. With commentary by Seattle notable music figures like Quincy Jones, Sir Mix-A-Lot, Mark Arm (Mudhoney), Ben Gibbard (Death Cab For Cutie), Ben Shepherd (Soundgarden), Kim Warnick (The Fastbacks) and Kenny G, and using interview footage, archival materials, original music, and live performances, the film paints a picture of a thriving and vibrant music scene centered around the city’s small African-American population.
Impressions of Curtis Mayfield is a new collection of a dozen reimaginings of some of the late, great soul man's most potent compositions, recorded by a collective of jazz aces calling themselves the Jazz Soul Seven: Terri Lyne Carrington-drums, Russ Ferrante-piano, the late Master Henry Gibson-percussion, Bob Hurst-bass, Wallace Roney-trumpet, Phil Upchurch-guitar, and Ernie Watts-saxophone. Read More
Guerilla filmmaker Brendan Toller unleashes “I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE,” a documentary feature examining why over 3000 independent record stores have closed across the U.S. in the past decade.
Greedy record labels, media consolidation, homogenized radio, big box stores, Ecommerce, shoddy "stars" pushed by big money, and the digital revolution all pose threats on the very well being of our favorite record stores and the music industry at large. Will these stores die? Will they survive?
Featuring- THURSTON MOORE of Sonic Youth, IAN MACKAYE of Dischord Records Fugazi/Minor Threat, activist/author NOAM CHOMSKY, MIKE WATT of the Minutemen, LENNY KAYE guitarist of the Patti Smith Group, CHRIS FRANTZ of the Talking Heads/Tom Tom Club, guitar composer GLENN BRANCA, PATTERSON HOOD of Drive-By Truckers, PAT CARNEY of the Black Keys, punk author LEGS MCNEIL, rock photographer BOB GRUEN, BP HELIUM guitarist from Of Montreal, and many indie record stores across the U.S. of A! Amazon
At Blue Note recording sessions in the ‘50s and ‘60s, Francis Wolff was building an archive of great photographic value and a visual documentation of jazz history unmatched at any other record company. This video takes us inside the making of one of the greatest albums in the history of modern jazz, John Coltrane’s "Blue Train" with actual images from the session at Rudy Van Gelder's Hackensack studio by master photographer Francis Wolff.
iRockJazz.com caught Robert Glasper recently in Chicago where he discussed how jazz needs to be cool again and not a exclusive society for a certain style of jazz or a certain type of jazz listener. Chicago 2011.